March Filters bring April POWERS.
Melodic Death Metal
From Dying Suns – Calamity Review
“Before I even laid eyes once on the glorious pixel art that adorns Calamity, From Dying Suns had sold me on their debut promise of progressive death metal. Hailing from the great French north of Quebec, and pulling performers whose live credentials include heavyweights like First Fragment, Augury, and Obliveon, this side-scrolling informed album, this full-length offering stood before itself with veteran swagger.” Storming the tech-death castle.
Stuck in the Filter: February 2024’s Angry Misses
The February Filter is all clean and tidy.
Mother of All – Global Parasitic Leviathan Review
“Have you ever wondered what modern melodic death metal might sound like if these up-and-coming bands would take a moment to find a sound that isn’t pure pastiche? Now, I know that might seem critical—and it is. But with so many bands out there that are variations on At the Gates, In Flames, Dark Tranquillity, and whatever other big name you can think of, pure worship of these bands, who wield extended discographies and active tour schedules, just isn’t enough. That kind of retread with a tinge of mix-up can be good, of course. Just look at our latest rodeö for the proudly olde-reaching Veriteras. So do we need a Global Parasitic Leviathan to save us?” I Dismember Momma.
In Vain – Solemn Review
“In Vain were clearly one of the most exciting Norwegian bands in the 2010s, boasting 2 great releases across Aenigma and Currents. The latter was even my Album o’ the Year for 2018, resulting in my unreasonable expectations for a sequel. For those unfamiliar, imagine a more varied and melodic version of Borknagar; a convenient comparator in a year that has also featured a new release from those guys too. And good though that record undoubtedly is, Solemn beats it hands down.” Vain and glorious.
AMG’s Unsigned Band Rodeö: Veriteras – The Dark Horizon
““AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene.” Ride to the Dark Horizon!
The Absence – The Absence Review
“Florida’s The Absence have carved out a tidy career of dependable material across two separate career arcs since forming way back in 2002. Their first few albums were thrashy, slightly blackened melodeath bangers with killer riffs, striking melodies and catchy hooks in tow. Hardly groundbreaking stuff but solidly entertaining, nonetheless. Following an eight-year recording hiatus, The Absence kicked back into gear in 2018 and now we arrive at the third album of their recharged second era, and sixth overall, following on from 2021’s reliably solid Coffinized release. On this occasion, the veteran act decided to go the self-titled route, which often translates to a stylistic reinvention, or assertive back-to-basics approach.” Absence makes the heart do something.
Deception – Daenacteh Review
“Daenacteh is a melodeath record at it’s core, but augmented with so many other elements it’s become it’s own unique monster. The orchestral accompaniments, which are both omnipresent and superbly executed, seem of the Italian neo-classical school of Septicflesh and Fleshgod, but MENA-tinged like Aeternam.” The many sounds and flavors of the desert.
The Moor – Ombra Review
“Those who know me know that Opeth is one of my favorite bands. Those who know me well know that Still Life is my favorite Opeth record. Those who know me extremely well know that “The Moor” was the first Opeth track I heard. The prospect of anything remotely resembling their golden period of music from 1999 until 2005 is very exciting to me. It was on this basis that I chose to review Ombra by Italy’s The Moor, especially in light of the “progressive metal” tag on its one sheet.” Is less Moor?
Stuck in the Filter: January’s Angry Misses
It’s becoming apparent that our filtering systems work quite well! The crew has done a fine job pulling filth from the workings and releasing the pressure to the system. A second too late and the toilets would have backed up.
