American Metal

Cardiac Arrest – The Stench of Eternity Review

Cardiac Arrest – The Stench of Eternity Review

By Steel Druhm on May 18, 2024 in Reviews, Death Metal, 20 comments

“You can’t listen to everything out there and we all have gaps in our metal detection system through which plenty of quality product sluices out. Still, I’m left wondering why I never spent time with Chicago’s death metal maniacs Cardiac Arrest until last week. Active since 2004 and with 7 full-lengths under their belt, this is a Windy City death institution that I completely slept on despite AMG having reviewed their 2018 opus A Parallel Dimension of Despair. On eighth album The Stench of Eternity, these scuzzmongers deliver a nasty sound mixing classic Floridian death with the uglier side of grind and crust and occasional flirtations with meatheaded slam.” Chest pains are the best pains.

Hemotoxin – When Time Becomes Loss Review

Hemotoxin – When Time Becomes Loss Review

By El Cuervo on May 17, 2024 in Reviews, Death Metal, Progressive Metal, Thrash Metal, 35 comments

“Over the course of two prior releases I’ve reviewed, Pittsburgh’s Hemotoxin has failed to truly wow me. Their idiosyncratic brand of deathy, thrashy metal stretches slightly towards progressive ground, but they also demonstrate an admirable willingness to eschew any bloat across their tight releases. Despite these strengths, frantic songwriting and an arguable lack of focus have hamstrung their memorability and consigned them to “probably cool live but no point to return” territory. 2024 sees their return and I was cautiously optimistic to hear whether When Time Becomes Loss would be the record to elevate their discography.” Blood and soilwork.

Botanist – Paleobotany Review

Botanist – Paleobotany Review

By Thus Spoke on May 17, 2024 in Reviews, Black Metal, Experimental Metal, Post-Metal, 26 comments

“A band with a strong conceptual identity is always something. Whether that’s 1914 and their commitment to depicting the true horrors of world conflicts, or The Ocean, and their exploration of Earth’s many (pre-) historic eras. And were that a spectrum, experimental black metal collective Botanist would fall towards the latter end. Not only insofar as their music leans towards an airy, progressive, post-rock, but also their concept, which, if it wasn’t obvious, is flora. Paleobotany—the band’s eleventh LP—sees this similarity become even more blunt, centering as it does on the prehistoric plants of many millions of years ago.” Morbid Phytologist.

Nocturnus AD – Unicursal Review

Nocturnus AD – Unicursal Review

By Steel Druhm on May 16, 2024 in Reviews, Progressive Metal, 37 comments

“When Mike Browning reformed his project as Nocturnus AD and dropped 2019s Paradox, it ignited a fresh rush of possibility. Was this the long-awaited successor to The Key? Sadly, it was not, though it was a rip-roaring dose of proggy death with a grand scope. Now we get Unicursal and like its predecessor, the ambition is on full display as Browning and company strive to create a new world of unusual soundscapes. It’s an hour of wild time signatures, twisting tempo shifts, and enough technical chops to overdose on, but is it the Nocturnus album we dream about like so many electric sheep?” Nocturnal remissions.

Goden – Vale of the Fallen Review

Goden – Vale of the Fallen Review

By Dear Hollow on May 16, 2024 in Reviews, Death Metal, Doom Metal, 11 comments

“New York City’s Goden embodies the spiritual successor of Winter, a quietly influential death/doom outfit who amassed a devoted cult following 1990’s acclaimed full-length Into Darkness and follow-up 1993 EP Eternal Frost. Original guitarist Stephen Flam and guest keyboardist Tony Pinnissi created the new chapter of Goden, 2020 debut Beyond Darkness (an homage to its parent act) ambushing fans and newcomers alike with mountainous riffs, frosty synths, and vicious vocals – virtually only held back by the act’s obsession with a billion synth interludes. With follow-up Vale of the Fallen, it becomes all the more crucial for Flam and company to continue its trajectory of success.” Winter is coming (back).

Pallbearer – Mind Burns Alive Review

Pallbearer – Mind Burns Alive Review

By Cherd on May 15, 2024 in Reviews, 165 comments

“It’s time to revisit a conversation that became necessary in 90s metal circles with the advantage of almost 30 years hindsight. How do we deal with beloved metal bands when they lose their interest in metal, either abruptly or over the course of several albums? Back then, it was complicated. When Paradise Lost decided they weren’t a death/doom metal band anymore, there was disappointment and confusion. Same when Ulver left black metal tied to a tree whimpering in the woods and never looked back. Some fans of their metal work remained open minded and found merit in the new directions. And the bands certainly found new fans who would never touch metal on principle. I’ve surveyed the general metal media consensus around Pallbearer’s output since 2017’s Heartless, and I’ve come to the conclusion that in the 2020s, things aren’t so complicated. Everyone’s a simp.” Simptons of the metalverse.

Black Tusk – The Way Forward Review

Black Tusk – The Way Forward Review

By Dear Hollow on May 14, 2024 in Reviews, Sludge Metal, 18 comments

“Black Tusk is one of those bands that are eternally 3.0, and I’ve always been completely content with that. My first experience with the Savannah, Georgia veterans was 2011’s Set the Dial, a veritable riff-fest of sludge to counter the swampy slogs I had only been acquainted with. In ways, the trio stood shoulder to shoulder with the likes of Mastodon and Baroness without the lofty ambition: you come for the sludge, you stay for the riffs.” Tusk and run.

Six Feet Under – Killing For Revenge Review

Six Feet Under – Killing For Revenge Review

By Iceberg on May 9, 2024 in Reviews, Death Metal, Groove Metal, 75 comments

“Oh my, look what has fallen into my deceptively large, crystalline lap. A brand new slab of knuckle-dragging caveman death metal from USDA-certified veterans, Six Feet Under. They’ve blazed a bloody trail of resentment and glass-eating rage through these hallowed halls, rarely resting long before moving on to the next hapless victim reviewer. Said reviewer happens to be me, resident master of the masochistic arts and winner of the highly attended AMG lottery for Six Feet Under reviewing rights.” No hole too deep.