4.0

Warlord – Free Spirit Soar Review

Warlord – Free Spirit Soar Review

“And the cannons of destruction have begun… anew! Long ago in a very different time, guitarist Bill Tsamis and drummer Mark Zonder (later to become a member of Fates Warning) joined forces tro create a new heavy metal project. Warlord was a little band with a huge potential, and their early demos quickly caught the attention of Metal Blade Records. Their 1983 Deliver Us EP made an impression on the scene, offering regal, semi-progressive American power metal with hooks, pomp, and polish. Despite the promising start, lineup issues and the odd decision to use a live performance recorded and filmed in an empty theater as their full-length debut hurt their momentum. And though And the Cannons of Destruction Have Begun… was a solid piece of 80s metal with some major high points, it gained limited traction and left a confused public wondering what to make of it. Further lineup issues quickly undermined the band’s resolve and Warlord came to an ignoble end all too soon. The band’s cult mystique endured however.” Return of the Warlord!

Aquilus – Bellum II Review

Aquilus – Bellum II Review

Aquilus occupies a place of special importance in my music collection. One or two exceptions aside, 2011’s Griseus and 2021’s Bellum I offer the best fusions of symphonic music and heavy metal that I’ve heard. Now in 2024 Bellum II completes the puzzle started by its predecessor. A gap of just 2.5 years, compared with 10 years, is far more digestible and strikes while the band remains fresh in my mind.” Another night at the symphony.

Full of Hell – Coagulated Bliss Review

Full of Hell – Coagulated Bliss Review

“If you’ve been following the modern grindcore scene in any fashion over the past fifteen years, then you’ve at least heard of Maryland’s high-output, low-trend grindmongers Full of Hell. Collaborating or splitting space with everyone from tough punks Code Orange to Japanese static spinner Merzbow to pneumatic pulse demons The Body, Full of Hell scrapes ideas from every corner in the extreme music space to fuel the iterative process of the twenty to thirty-minute burners that are their “full-length” releases.” Hell is home.

Blaze of Perdition – Upharsin Review

Blaze of Perdition – Upharsin Review

“”Upharsin” is part of an Aramaic phrase seen in the Hebrew Bible, in which the words “mene, mene, tekel, upharsin” appear mysteriously upon the wall of the palace of King Belshazzar, which are interpreted by the prophet Daniel as foretelling the fall of Babylon and its dispersion to the Persians and the Medes. The rich religious undertone pervades the Polish Blaze of Perdition, not as a point of blasphemy but of portent.” Scripture written in blood.

Inter Arma – New Heaven Review

Inter Arma – New Heaven Review

“It’s been almost exactly five years since Inter Arma’s last full-length, not counting their album of cover songs, Garbers Days Revisited. Not that the vicious take on Neil Young’s “Southern Man” wasn’t a welcome addition to their catalogue, but after the gut-churning aural ruination that was 2019’s Sulfur English, you could hardly blame fans for hoping the band would follow it up in short order. A global pandemic and personnel turmoil intervened, so here we are in 2024 just getting our ears around the band’s fifth LP, New Heaven.” Large things arrive late.

The Vision Bleak – Weird Tales Review

The Vision Bleak – Weird Tales Review

“Utilizing Type O Negative-esque booming vocals, surprisingly heavy riffs, and bombastic key-driven atmospheres, every The Vision Bleak album is Gothic metal goodness that’ll leave your skin crawling, hands bloody, and eyes leaking. Funny enough, 2016’s The Unknown was the first time any album I reviewed was chosen as the RotM. These eight long years have been quiet, undoubtedly due to the band brewing their next horrific release. Now it’s here and it’s like nothing they’ve ever done before.” Weird is the new bleak.

Sleepytime Gorilla Museum – Of the Last Human Being Review

Sleepytime Gorilla Museum – Of the Last Human Being Review

“It must have been 2005 or 2006 that I first came into contact with Sleepytime Gorilla Museum, one of the most beautifully bewildering bands to ever grace the globe. Constructed around a narrative of a fictional dadaist and futurist performance troupe, the one-of-a-kind group from Oakland gained a loyal cult following over the span of three records.” Monkey business.

Keygen Church – Nel Nome Del Codice Review

Keygen Church – Nel Nome Del Codice Review

“”In the name of the Code, and of the Sacred Disk, and the Holy System. Our Core, which art in Data, Hallowed be Thy Code.” These words adorn the lavish brochure you were handed as you stepped into the Keygen Church. There, behind the altar, stands the robopastor/technosorcerer Victor Love. You recognize him; our IT prophet Sentynel has lauded Love’s work in Master Boot Record twice, but now the doors to Love’s liturgical side project Keygen Church have swung open.” Room and motherboard.

Deception – Daenacteh Review

Deception – Daenacteh Review

Daenacteh is a melodeath record at it’s core, but augmented with so many other elements it’s become it’s own unique monster. The orchestral accompaniments, which are both omnipresent and superbly executed, seem of the Italian neo-classical school of Septicflesh and Fleshgod, but MENA-tinged like Aeternam.” The many sounds and flavors of the desert.

Aborted – Vault of Horrors Review

Aborted – Vault of Horrors Review

“I know what you’re thinking: ‘How in the hell does Grier like Aborted?’ I know. Everyone has asked it since I chose to lead this charge and give you my opinion on Aborted’s Vault of Horrors. While I do have plenty of issues with grindcore, in general, there’s something about bands like Aborted and Pig Destroyer that speaks to me. I can’t explain it because there are a lot of bands like Aborted that I just loathe. You know, like Dying Fetus.” Grinding Griers.